He also thinks you should check out his best-selling sci-fi novel and its sequel.Ang Lee OBS ( Chinese: 李安 pinyin: Lǐ Ān born October 23, 1954) is a Taiwanese filmmaker. Still have a question? Tweet at him then check out his travel photography on Instagram.
#Ang lee 4d movies tv
Got a question for Geoff? First, check out all the other articles he's written on topics such as why you shouldn't buy expensive HDMI cables, TV resolutions explained, how HDR works and more. Especially when there's no provable benefit, especially for their bottom lines. I'm sure this issue is something learned, and if we could start it all over we should start at 60fps and see what happens.īut when it comes down to it, Hollywood is a business, and it's not good business to push for a new product that a portion of your audience hates when the rest are indifferent at worst and mildly enthusiastic at best.
#Ang lee 4d movies movie
We are no longer enjoying a movie but looking at images flashed on a screen. I am a proponent of 8K video recording (though, perhaps ironically, not 8K TVs), greater dynamic range, better special effects and more such advances.īut HFR messes with my ability to suspend disbelief. This is not to say we shouldn't advance technology. How many of you reading this watched Star Wars for the first time on VHS? Were you not transported to a galaxy far, far away? That's the whole point, right? Not to watch an image on screen but to be able to suspend your disbelief and be transported for two hours away from cruel reality into a fictional universe. If you're less cynical, there's another aspect: why? When it comes to movies, do we need more realism? Isn't the point to escape reality? Why do we need more reality? If a movie is made well, from the writing to the acting, directing and everything else, you already are transported into that world. Perhaps those of us who hate it instead watched more movies in theaters (I sure watched a lot).Īng Lee and Will Smith on the set of Gemini Man. Perhaps people who love HFR grew up watching lots of soap operas and other fictional higher-frame rate content, so it's not an issue for them to suspend disbelief with higher frame rates. We've been conditioned that way our entire lives by watching countless hours of movies and TV. I don't think we are born with an inherent knowledge that 24 equals fiction, 60 equals nonfiction. I believe, however, that this is all learned. "The smoothness and clarity of the image doesn't make us feel like we're sitting in a room with the characters from Gemini Man, it makes us feel like we're suddenly sitting on the set with the actors from Gemini Man, watching them struggle through their lines." - How high-frame rate technology killed Ang Lee's Gemini Man, Bilge Ebiri, Vulture It drives other people, like me, bonkers. So they were recorded at higher frame rates (historically, 60i) Some people like the smoother look of SOE. And why is that? Because soap operas were made on the cheap, historically using video cameras (not film, like most TV shows of the era). It makes all content look like a soap opera. SOE, in effect, artificially increases the frame rate of content. Many viewers have a similar reaction to the soap opera effect on TVs, for largely the same reason. In a way, it's like the artistry has been ripped out of the visual essence of cinema." - Gemini Man review, Alissa Wilkinson, VOX ".it looks terrible, like motion smoothing on a massive screen with everything in focus in the frame, it's hard to tell what to look at. This is the core of the issue because one person's "I enjoyed this more" can't be more valid than someone else's "I was unable to enjoy it at all."
This is a massive issue, and one all too often brushed aside by HFR enthusiasts, who claim it's more immersive for them. I have read other people's accounts who had a similar experience. I was entirely conscious of sitting in a room with strangers, staring at a screen, on which people in costumes walked around a set. for movies, this means the image is "better." For me, when I've seen an HFR movie, it was impossible to suspend disbelief. However, that doesn't mean that in this case, i.e. ".it gives everything a TV feel rather than the texture of cinema." - Gemini Man review, Richard Trenholm, CNET Action scenes are far more detailed, and camera pans are silky smooth. With more frames per second there's less judder and less motion blur.
HFR fans claim the image is just clearer and smoother, and I agree. For one thing, it's not, but also just because something is new, doesn't mean it's better. Let's put aside the "it's new" aspect of the HFR debate.
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